Margaret Qualley in The Substance (2024)

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In Coralie Fargeat's new feminist scary flick The Substance, damaging societal charm criteria are the true beasts. They (women objectification, the disposal of "the outdated," the expansion of an industry improved body alteration) nourish a monster of a pattern that leads Demi Moore's fading TV individuality character Elisabeth Sparkle to choose a black market therapy phoned The Substance that guarantees to produce her more wonderful. And in doing this, she undertakes a creature-feature-like change herself.

The Substance is actually a repulsive process-- one including syringes, liquids, and Elisabeth's spinal column opening to childbirth a younger double participated in through Margaret Qualley. Elisabeth and her equivalent, called Sue, may not be mindful all at once, so they each live for a week prior to shifting places, with Sue detracting fluid coming from a cavernous hole in Elisbeth's spinal column to receive herself. When Sue misuses The Substance, Elisabeth starts to grow older-- starting with one unnerving, run-down hands just before dispersing in to creaky, nearly unusable arm or legs; as well as when Elisabeth resist through binge-eating, File suit malfunctions (blog post) so much to ensure that she can easily draw hen airfoils away from her navel.

In doing this, the movie suggest the carefully hideous lengths some will go to be admired as ideal. It's performed to a spine-tingling, life-like degree that makes for a body horror film for the ages.